Thursday, November 12, 2015

Ainsley House, Campbell. Thursday, November 12, 2015.

This was our first cold day since that really cold, miserable rainy May morning in the San Jose Municipal Rose Garden.   But at least it was bright and sunny and, by normal mid-November standards, pretty nice all in all.    The Ainsley House (a Tudor Revival, which is, of course, exactly what you'd expect in downtown Campbell) has lots of interesting features and details which make for a really challenging subject - it's not as straightforward as you'd think at first glance.
     We were treated to an unexpected pleasure when the Reading Hour let out from the adjacent Campbell Library and about a dozen young children shot out of the library, spotted us painting and had to see what we were up to.   They were enthusiastic, well-behaved and  inquisitive:  "What are you doing?"  "Painting" we said - they knew that but had to ask anyway.  "What are you painting?"  "The big house over there."   "Oh yeah, I can see that now."   Poking a finger in a well on the palette  "what color is that?"  That was a tough one - I'm no longer sure what some of them are but "red" or "yellow" or "blue" was close enough and satisfied them.   Then we got into "what happens when you mix red and green?"   "Red and blue?"  "Black (Payne's Grey) and anything."   Fortunately, I hadn't done anything with the foreground yet so we had room to experiment.  Just when it was getting fun (for me), they tired of me and were on to the next artist where I assume they asked the same questions.   Could this have been a preview of next week's paintout at Hidden Villa?   I hope so.    Incidentally, one of the moms told me their children painted with watercolors at least an hour every day.  I'm so jealous.

Future Watercolorists of America:


Future Watercolorists of America try their hand(s) mixing colors. (Photo by Yan)

Future Watercolorists of America critiquing old artist's painting. (Photo by Lisha)
For information about the Ainsley House, see:
http://campbellmuseums.org/ainsley-house
For information about Ainsley House Holiday events, see: 
http://www.ci.campbell.ca.us/332/Historical-Museum-Ainsley-House

Upcoming Paintsites:
  • Thursday, November 19, 2015:  Hidden Villa, Los Altos Hills.  Special Event.   
  • Saturday, November 21, 2015:  Hidden Villa, Los Altos Hills.    Special Event.
  • Thursday, December 3, 2015:  Santa Cruz.  Mission Santa Cruz and Holy Cross Church.  Annual Holiday Plein Air Pot-Luck.
  • Thursday, December 10, 2015:   Willow Glen (San Jose) - Residential Holiday Decorations.
  • Thursday, December 17, 2015:  Stanford Quad and Sculpture Tour (Sit & Paint or Hike & Sketch).
  • Saturday, December 19, 2015:  Stanford Quad.
For details, see the SCVWS website or the November and December Newsletters.


Note:   Watch for the Annual Holiday Party announcement in the December Newsletter for the SCVWS social event of the year - definitely not to be missed!


The Ainsley House:
Painting near the south-east corner of the building - closest to the Library - artists (left to right) Liz, Christine and Nora.

Painting from the south-west corner - nearest to the City Hall - more artists.
Betty

Betty's painting of the south-east corner of the Ainsley House depicts the most complicated sections of the false-thatch shingled roof  - very challenging.
Liz

Liz tackled the same corner from a slightly different angle and emphasized the multitude of small paned casement windows (another standard Tudor Revival characteristic).

Christine

Jane (Photo by Yan)

Jane's painting of the east side of  the house.  (No matter which elevation we painted, the unique roof demands attention.)

Dan  (Photo by Yan)

Dan's finished painting of the east side of the house as seen from the parking lot.  (The large chimney is another typical Tudor Revival characteristic.)


Alan and John looking very relaxed (considering that's the Campbell Police Department behind them).

John's painting looking towards the complex south-east corner from the opposite end of the house.

Melanie

Melanie's painting of the south-east corner picks up the roof shapes, the typical windows, the half-timbers and -- something no one else noticed -- the little white holiday lights strung under the eaves.   (Not many people know that the 16th Century Tudors loved to decorate their homes with holiday lights just as we do today.)
Rich

Rich's finished painting.
Lisha

Lisha's painting from pretty much the same angle done in a higher key.

Iris

Iris' painting of the back corner of the house and the gate leading into the garden.  (The garden has been a popular subject in the past but was closed for renovation.).

Dick and Yan

Dick focused on the little bay window over the front entrance -- lots of panes and lots of reflections. Note the woman peering through the bottom center pane.

Katherine

An artist not afraid of a challenge:   Katherine's unfinished painting of the large bow window with its very complex perspective (at least 5 planes - it was hard to tell) at the south-west corner of the house.  

Brad

Brad's head-on painting of the Ainsley House.

Nora

Nora also did the full frontal elevation which shows the pleasing proportions of the building.

The famous Campbell Water Tower:  While the rest of us focused on the Ainsley House, Jenny and Sylvia, who have painted there many times before, moseyed over to the iconic Campbell Water Tower. 



Jenny

Jenny's painting of the Water Tower and the Campbell Water Company building.

Sylvia

Sylvia's painting of the same.
 Lunch and Critique: 


The preferred painting spots were all in the shade so lunch in the sun was quite welcome.  (Photo by Rich)


Thursday, November 5, 2015

Redwood Ridge Estate Winery, Summit Rd. Thursday, November 5, 2015.

Another very special first-time Paintsite ("discovered" by Lois Stevens who is friends with the owners), we were blessed with a perfect day (clear and warm) which made the distant (40 +/- miles away) Monterey Peninsula;  Monterey Bay; the mixed redwood and hardwood forests (which made a fine dark green contrast with the yellow leaves of the vines); and the vineyards on the fairly steep rolling hillsides all equally worthy subjects.   Could it have been any better than that?   Yes it could and yes it was:  First of all, Shirley Motmans and several members of her Santa Cruz Art League Plein Air Group were able to join us - it's always fun to share a special experience like this with fellow artists.  And second, Lois arranged a special "tasting" for us which made for a nice break between painting and our show-and-share "critique".    Several artists took advantage of the winery's custom labeling offer and ordered bottles of wine with labels of paintings they'd done that morning.   Wine lovers in the group pronounced the wines excellent so if you have a special painting you'd like to have on bottles of wine for holiday gifts, Redwood Ridge Estates is the place for you. (See the website: http://redwoodridgeestate.com/   for complete details.)    
 
Upcoming Paintsites:
  • Thursday, November 12, 2015:  Ainsley House, Campbell.
  • Thursday, November 19, 2015:  Hidden Villa, Los Altos Hills.   
  • Saturday, November 21, 2015:  Hidden Villa, Los Altos Hills.    Special Event.
Ongoing:    Last chance - the Annual Member Show at the Triton Museum in Santa Clara ends on Saturday, November 7th.
 
For the Paintsites details, see the SCVWS website or the November Newsletter. 


Painting the Really Big Picture:   You want distant purple mountains majesty?  The Pacific Ocean on a truly pacific day?  Not so distant redwood and hardwood forests?  Up close hillside vineyards in their early autumn foliage?   You want all this in one painting?   Look no further, you've come to the right place --- the following artists captured it all!

Broncha, Jenny, Marilyn and Kay
Looking north-west, artists looking south. (photo by Marilyn)

Katherine

Shirley
Nora

Leslie

Leslie's painting included Christine painting among the vines.

Melanie, happy that she can see forever, and undaunted by the prospect.

Melanie's painting of the Monterey Peninsula over the vineyard.
Marilyn

Marilyn's painting of the Monterey Peninsula, Monterey Bay, forests, hillside vineyards.
Kaaren's of the same,

and Betty's,

and Marion's panoramic,

and Broncha's,

and finally, as does Jenny's.

The not quite so big, but still pretty big picture:  The vineyards and the forest background was the focus for these fine paintings.   (Only artists who included the Monterey Peninsula and the ocean qualified as "Really Big Picture" painters today.   These didn't.)
Jenny's second painting looking North-West over the vineyards at the Coast Range.

Candy's painting of the vineyards and forest.

Dan's painting of the vineyards.

Iris

Iris's painting of the vineyards

Lois framed the vineyard through the barn / Tasting Room door.

Broncha looked back up toward the barn / Tasting Room from the lower vineyard.

Jane set-up lower in the vineyard.
Jane's sketch of the vineyards and forest beyond.
My second painting had an accident on the way to the car.   A large wet bead of dark paint ran across the sky area.  I'm thinking of how I can get it out and still salvage the painting.   Jane    (Note: visit this posting again to see how Jane salvages the painting.)


Close Ups:   These paintings are more intimate and capture the small beauties of a vineyard in November:


Christine's unfinished painting of grape vine leaves.

Christine's finished painting of a post and still blooming rose at the end of a row of vines.

Dick, Yan and Lisha set up close to the vines.
Dicks' painting of post, rose and vines.
Recently I've been painting on 9 x12 paper taped to a fiber board. The resulting painting has a half-inch "matte" which makes for a pleasing unframed presentation. When offering paintings for sale I bring a 9 x 12 frame to give potential buyers an idea what a framed work will look like. It also gives customers the option to use a stock 9 x 12 or document frame to hang the work without the cost of professional framing.    Dick


Lisha's painting of another post, vine and rose.

Beautiful, inquisitive, friendly describes this alpaca.  (photo by Marilyn)
Brad's paintings of alpacas
Beautiful animals and they make the gentlest little whistling and chirping sounds which was almost music to paint by.   They were very interested in what I was doing - particularly the rich brown colored one on the right.   Brad

 
Showing off  our stuff. (photo by Candy)