After several challenging paint-outs, weather-wise, we had an absolutely perfect day, weather-wise (for January at least), for a day in the Sunnyvale Heritage Orchard. The day started out with Sylvia presenting a series of drawing exercises: We limbered up our fingers, honed our eye-hand coordination, and were guided through a series of drawing exercises, each focused on a specific technique. (The past few years Jenny & Sylvia have presented a number of informal painting demonstrations which have been well attended and unanimously appreciated -- always more informative and entertaining than advertised. Watch for the next one!) Then, hands twitching and heads bursting with new ideas, we headed out to tackle old farm equipment, gnarled apricot trees, and patches of mustard.
For additional information about the Sunnyvale Heritage Orchard, check-out: http://northerncaliforniagardens.sutromedia.com/sunnyvale-heritage-orchard.html
and for the affiliated Heritage Park Museum: http://www.heritageparkmuseum.org/
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| Dick Zunkel |
Sylvia's
mini-seminar covered the material in my six-week drawing 101 class in
about a half hour, and did it better. With her inspiring instruction
still in my mind I rendered the old wagon at Heritage Park with brush
pen and watercolor wash. I chose to sit near the subject so as to force
the perspective. The other side of the wagon would have made a more
interesting subject due to the odd way it was resting on the berm, but
the light was better on the south side. Dick
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| Keiko O'Leary - Orchard Tree and Mustard |
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Sylvia's exercises made a big difference for me. I have
done many of them before, but to do all of them just before a painting
session made the painting so much easier. I'm hoping I'll have the
discipline to incorporate a few of these exercises into my pre-painting
routine. I think doing gesture drawings of the trees beforehand allowed
me to capture the essence of this tree when I painted it. Thank you,
Sylvia! Keiko
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| Mary Paquet | |
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I loved the drawing exercises and applied some of the gestural work on
the tree and some negative painting. Harking back to our lesson on the use of
ink by Dick Zunkel, I added the small branches using a dip pen and ink because I
left my rigger brush at home. Loved the beautiful day we captured. Mary
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| Brad Santos |
I had fun with the drawing session --- now all I have to do is practice, practice, practice! Class over, I wondered into the orchard and ended up painting (I think) the same tree I painted the last time we were here. And I think I managed to get in a few more branches than last time. For sure the background is better. I reckon the next time I'll put it all together. Brad
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| Sylvia Waddell - Blind Contour Drawing |
Blind contour drawing is a great exercise in eye-hand coordination. Resisting the urge to look at your drawing is really tough! Sylvia
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| Jenny Tero |
Sylvia's drawing exercises were much
appreciated and I learned a lot just by doing things I wouldn't normally
think of doing. Having had a "bad-paint day" here's my attempt at a left
handed pencil portrait - I know it doesn't look like anyone on earth, but I
was surprised that I was able to even get a face. This might be a way to
"loosen up" - with a bit more practice!
Jenny
The "Drawing Exercises" session before the Paint-out
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| Limbering up to draw |
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| Engaged in the "negative painting" exercise |
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| The attentive class |
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| The inspirational instructor |
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